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Newest Articles:

Future reviews are planned for the Olympus E3 and Nikon D3.

Reviews are currently being written about the following: Leica 50/2.5 Summarit, Leica 75/2.5 Summarit,
Pentax DA 14/2.8 and Pentax DA 21/3.2. 

Published on May 14 was an essay on B&W and Color photography.

Published on May 7 was my review of the NEC 2490 Spectra View II monitor.

Published on May 5 was my review of the Pentax 70/2.4 DA Limited.

Published on May 1 was my review of the Leica 90/2.5 Summarit.

Published on April 26 was Part Two of my review of the new Cosina Voigtlander 35/1.4 Nokton.

The final version of my Sigma DP1 review was published April 22.



"In the din of the Internet's noise, Sean Reid is one of a handful of voices worth listening to."

- Kent Phelan, USA

"The best and most detailed account (of the Leica M8) I've yet read from a photographer's point of view is on the Reid Reviews site."

- Peter Marshall
Photography Guide, About.com


"Reviewing photographic equipment isn't as easy as it looks. Not only does it take writing skill, and a critical sensibility, but for the review to carry weight and have value its author must have significant experience with similar and previous equipment.  Sean Reid has written equipment reviews for The Luminous Landscape for the past two years, and unfailingly they have been well-researched and comprehensive.  Sean writes with both style and insight, and bases his opinions on his years as a photographer, and not simply from the perspective of a technologist, as is too frequently found on the Net.  His site is free of advertising, and well worth your support. I was particularly taken by his article "On Small Sensor Cameras". It is a unique perspective on how different digital formats are redrawing the face of photography."

- Michael Reichmann, Publisher
The Luminous Landscape


Welcome to ReidReviews.com, an on-line magazine of reviews and essays by photographer and writer Sean Reid.  Each year, there will be at least twelve new articles about the tools and practice of photography added to this site.  

Every writer naturally brings his or her own experience and perspective to the articles he or she writes.  My writing is heavily influenced by my experience working as a documentary photographer for the past twenty years.  I'm primarily interested in cameras and lenses as tools for drawing, as I believe that photography really is a branch of drawing.  I'm guided by the photographer Andre Kertesz's observation, "I see the thing, I feel the thing, I make the thing".  So when I review a camera or a lens, I look primarily at how it presents the world to the photographer (via the finder), how it works as a tool in the hands, and how it draws the kind of picture we call a photograph.

 

 

There are at least two kinds of review content on this web site.  There are reviews of cameras and lenses that are receiving wide attention from many photographers and reviewers as well as reviews of equipment that is of great interest to more specialized groups of photographers.  For example, I have written quite a bit about the Epson R-D1 and lenses for digital rangefinder photography and rangefinder equipment will continue to be an important focus in my writing.  Naturally, this will include further articles about the Leica M8 and various lenses on that camera.  I'm also an architectural and documentary wedding photographer and so will be looking at the performance of cameras and lenses in those contexts.  I obviously can't write about every piece of photographic equipment and so my focus is really on tools that, I think, deserve some attention from serious photographers, professional or amateur.  Sometimes they are fairly new to the market, other times they might be quite old and found only as used equipment.  In either case, if I decide to write about a lens or camera, it's because I believe it's worth reading about. I was a film photographer for two decades (and a B&W exhibition printer for a few years) but I now work entirely with digital capture. As such, most of my camera reviews will be of digital models. That said, I do also review film cameras from time to time.  The individual reviews obviously discuss specific cameras and/or lenses but all of the reviews also look at more general aspects of photography that can be relevant no matter what camera and/or lens a photographer uses. 

Portfolios of my work can be found on my photography web site.

 

"Quite simply, I think your sections on 'drawing' and and on 'sunny day lenses' are the best writing about photographic lenses that I have read - whether in magazines, journals, books or the various sources online. Few professional writers about photography ever attempt such a full consideration of the range of lens performance characteristics and the different ways in which they are photographically significant. Some discussions in photographic communities online circle around the subject, but don't achieve the focus, rigour and articulacy that you have managed here. Your article is what all writing about photographic lenses ought to be like, yet it's astonishing that next to none of it is. Interesting though Irwin Puts Leica lens book is, it would have been so much more interesting, and so much more appropriate to its subject matter, if it had been written as you have written here...I found the article incredibly useful and interesting. A great help in clarifying and firming up what I have experienced and half-understood about how different lenses work."

- Simon Pulman-Jones, England

"We all owe you a vote of thanks for such a massive and thorough piece of work. What a concept-- a "lens test" that is really about the pictorial effect of how lenses draw their images. Lines per millimeter and MTF graphs have their place, but your article really gets to the heart of the matter in the way that photographers can relate to instantly."

- Peter Klein, USA


"This is a really excellent in depth review. I particularly like how you guide the reader not to look for winners, but to use it as a reference for their own needs. I think it may turn out to be a reference classic for working photographers seeking how to judge lenses in real world use.. I for one will be returning to it."

- Jim Watts, USA

"I read your substantial paper with great interest. I am an amateur enthusiast in photography and optics. Your concept first surprised me, because I have had an impression that few photographers in North America and possibly in Europe like to discuss lens characters as expression tools. Among Japanese photographers, amateurs and professionals alike, there is a long tradition of interest or even addiction in appreciating various image characters of optics. For instance, Shoji Ohtake, one of the most influential photographers in Japan writes a regular column titled Lens Physiognomy for a major camera journal. He says that for each of his representation he selects the right lens from his huge collection.  I was impressed by your pragmatic and well-organised approach in reviewing the lenses. Your observation is keen and relevant to essential aspects of photographic imagery. Your rhetoric is straight, logical, and free from jargon. These are rarely met in review papers on similar tests, which tend to be too technical or too subjective. I should also tell you that I myself have evaluated lenses mostly in B&W for the same reason as in your reviews. Few people have understood me. All in all, it is a marvelous paper. My applause."

- Mikiro Mori, Japan

"...a very informative, even enlightening, work. It not only provides visual evidence of comparative lenses' performance, it also gets right to the most important factor of lens evaluation - how the image looks to the photographer. Long ago I stopped reading test charts of lenses since none of my clients ever published any. It is always the look of the finished image that counts."

- Richard Weisgrau, USA

"I hope your tests become a benchmark for other reviewers to pay more attention to the real needs of photographers..."

- Phil Fogle, USA


"I think that your approach is what photographers have been asking for. Your article was spectacularly successful. I didn't think a review could be any better than yours on wide angles for the R-D1, but you topped it with this one. Thank you for all the hard work that went into it!"

- Bill Marshall, USA

 

 


 

ReidReviews.com accepts no advertising.  A subscription is currently $32.95 per year. To get an idea of whether or not my writing will be useful to you, I'd recommend reading some of my existing reviews on Luminous-Landscape which are linked in the pictures below or my review of the Canon 5D which was published on Imaging Resource.  Together, they can provide you with a good sense of how I approach reviewing photographic tools. 

 


Wondering what other photographers have thought of Reid Reviews?  Take a look at some reviews of the site at About.com, Auspicious Dragon, Shards of Photography, Rangefinder ForumImaging Resource and Photographica.


Example Camera and Lens Reviews To Date

Essays
- Canon 5D
- Canon 1DsMkII
- Canon 14/2.8L, 16-35/2.8L, 35/1.4L, 100/2.8 Macro (DMR Review)
- Canon 14/2.8 L (II)
- Canon 24/3.5 TS-E L Shift Lens
- Cosina Voigtlander Bessa R2A
- Epson R-D1 Long-Term Report
- Leica D-Lux 2
- Leica D-Lux 3
- Leica Digilux 3
- Leica M7
- Leica M8, Part One
- Leica M8, Part Two
- Leica M8, Part Three
- Leica M8, Part Four
- Leica M8 Updates
- Leica 35/2.5 Summarit
- 21 mm RF Lenses on Leica M8
- 24/25 mm RF Lenses on Leica M8
- 28 mm RF Lenses on Leica M8
- 35 mm RF Lenses on Leica M8
- 50 mm RF Lenses on Leica M8
- 75 mm RF Lenses on Leica M8
- 90 mm RF Lenses on Leica M8
- Leica R9/DMR
- Leica R 15/2.8, 19/2.8, 35/1.4, 28-90 and 100/2.8 macro (DMR Review)
- Leica M 24/2.8 Elmarit on Epson R-D1
- Leica M 50/2.0 Summicron on Epson R-D1
- Leica M Tri-Elmar on Epson R-D1
- Nikon D200
- Nikon 50/1.4 AF
- Olympus 18/3.5 on Canon 5D
- Olympus 24/3.5 Zuiko Shift 
- Olympus 35/2.8 Zuiko Shift 
- Pentax K10D
- Pentax 43/1.9 Limited
- Pentax 15/3.5 Takumar on Canon 1Ds MkII
- Ricoh GR Digital
- Ricoh GR Digital II
- Ricoh Caplio GX100
- Sigma 12 - 24/4.5~5.6 on Canon 1Ds MkII
- Sony R1
- Voigtlander 21/4.0 P
- Voigtlander 25/4.0 P
- Voigtlander 40/1.4 Nokton on Leica M8
- Voigtlander 50/1.5 Nokton on Epson R-D1
- Zeiss Ikon
- Zeiss Jena Flektogon 20/2.8 on Canon 1Ds MkII and 5D
- Zeiss ZM 25/2.8 Biogon on Epson R-D1
- Zeiss ZM 50/2.0 Planar T on Epson R-D1
- Zeiss ZF 50/1.4 T Planar on Nikon D200
- Zeiss ZK 50/1.4 T Planar on Pentax K10D
- Zeiss ZK 35/2.0 Distagon T on Pentax K10D
 
- On Small Sensor Cameras
- Correct Exposure and Other Myths
- Photographing Daytona Bike Week
- Sticking With Film
- "Street Photography" 
- Photographing Strangers
- Photographing People We Know
- Intro. to Rangefinder Cameras

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


Coming Later This Year

- Nikon D3
- Olympus E3
- Working in Black and White

 

Included on the site is my long-term review of the Epson R-D1, the first DRF (Digital Rangefinder) camera ever produced.  This extensive article looks at the camera's performance and reliability over 15 months based on my own experience with three bodies and the experiences of 48 photographers who responded in detail to a custom-designed survey about the camera.  This article should prove to be of interest for anyone who is curious about DRFs, whether they are R-D1 owners or not.  For those who are considering buying the camera, I think that the article is essential reading.

 

 



The one-year subscription rate for the site is $32.95.  Once your username and password have been issued, the subscription amount is not refundable.  The best way to sample my reviews (to decide if you'd want to be a subscriber) is to read my freely available Luminous-Landscape and Imaging Resource reviews linked above.  Pay Pal customers can pay for their subscriptions using their Pay Pal accounts and people who are not Pay Pal customers may make a one-time credit card payment to Reid Reviews via PayPal.  To make a payment by check please follow the instructions listed on the "subscribe" page which is linked below.

*Important*: Before Subscribing, Please Note the Following:

The subscriber section of ReidReviews.com requires Macromedia's Flash player (version 7 or later), which you may already have installed on your computer.  If not, you can download it for free hereWe recommend using the newest version of Flash that is available for your computer and, for some browsers, using the newest available version of Flash may be required. Since the subscriber section of the site is written in Flash, the content is set at a fixed size and one needs a monitor resolution setting of at least 1152 x 864 pixels to see the full site (at full screen setting) without needing to scroll horizontally. To preview the size and design of the site please click here.

Again, please remember that the site appears at a fixed size (in pixels) on any monitor.
* We have optimized the size of the site's active window based on feedback from many subscribers, most of whom are working with higher resolution displays. For ease of reading, however, there are ways to zoom the Reid Reviews Flash window to different sizes. See the tips at the end of this section for suggestions.

The active content of the site appears in a Flash window that can be vertically scrolled using the traditional on-screen graphics as well as the up/down arrow keys (on Windows and Mac platforms). On Windows platforms, the scroll wheel on a mouse can also scroll the content in the active window.  For security reasons, the site content cannot be copied or printed. None of the material published on Reid Reviews may be reproduced in any form without permission from the author.

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Reid Reviews is a high-bandwidth site full of high quality JPEGs that, intentionally, are saved with minimal compression.  In addition to having a monitor resolution of at least 1152 x 864 pixels, I also strongly recommend that readers use a high speed Internet connection for browsing the site. Its possible to browse Reid reviews using a low speed connection but doing so will require a great deal of patience.  Since I myself am usually restricted to a satellite Internet connection, I sympathize with the plights of people working without true high-speed Internet access. But preserving the thoroughness and technical picture quality of the reviews requires that the included JPEGs be only lightly compressed.

When you choose your user name and password *please* record them in a safe place for future reference. If you misplace your user name or password please click on the "Log In" link and follow the instructions there.

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Please subscribe writing your name exactly as it appears on your PayPal account (if you have one).  Doing so can help to prevent problems with a subscription starting automatically. 

If you have questions, please e-mail me.  

A Side Note on Macintosh Computers and Text Readability 

I work with both Macintosh and Windows computers.

Macintosh OSX, and later Macintosh operating systems, anti-alias fonts in such a way that some (such as myself) find it more difficult to read text. Without any special smoothing, the text on the Reid Reviews site should look like this. For a further discussion of this issue and some proposed solutions, see this article.  In particular, Mac owners who find it hard to read the smoothed fonts created by OS-X might want to try downloading the free Tinkertool and using it to disable font smoothing up to, say, 18 points. This change can make most Mac text much more readable to those of us for whom smoothing causes eyestrain, etc. That true not only for this site but also for thousands of other sites on the web.

The articles on Reid Reviews are displayed using Arial as the font. It's a Sans Serif font that some argue is less readable in print, than a Serif font would be, but more readable on screen. Opinions vary widely on this topic and several of the studies cited to support the use of Serif fonts have been heavily challenged and criticized. Readers who are interested in this topic might find this article, for example, to be of interest.  

It is important that one have the Arial fonts installed, on his or her computer, to view the site correctly. If those fonts aren't installed, one may observe various layout problems in the articles on the site.

Zooming Reid Reviews With Macintosh OSX

Subscribers who use Macintosh OS-X computers, and who are working at screen resolutions greater than 1152 x 864 pixels, may want experiment with using the "zoom" feature in OS-X which allows one to, in effect, enlarge the Reid Reviews Flash window so that it fills as much of the monitor's area as desired. The site content can then be scrolled using the usual up/down page keys. For further information about this feature see this article.  I'd like to thank RR subscriber Aurin Raeder for this excellent tip. 

Zooming Reid Reviews With Windows

Subscribers who use Windows and would like to change the size of the active Flash window in Reid Reviews can do so using Internet Explorer 7 or Avant Browser

Renew or check how long you have left on your subscription

 

Other resources:

Luminous-Landscape

The Leica User Forum and Classifieds

The Online Photographer

Open Photography Forums

Rawworkflow.com

Photography at About.com

Imaging-Resource


"Still Photo" the new Reid Reviews discussion forum was launched May 1, 2008.  If you decide to register for the
new forum, and I certainly invite you to, please allow up to 24 hours to have your membership set up.  Questions 
about registration, etc. should all be sent to Asher Kelman who owns Open Photography Forums. He can be
contacted directly on the forum site.